The Film Baby Film Analysis: A Sharp Depiction of LGBTQ+ Brazilian Survivors Lost in the System

Channelling the city's relentless energy and vibrancy of São Paulo, director Marcelo Caetano's gripping drama focuses on those who exist on the margins of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; abandoned by his parents, the innocent young man seeks comfort in the arms of others.

On an late-night excursion with his rowdy group of gay and non-binary friends, Wellington crosses paths with Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler significantly older than his age. Illuminated by the flickering glow of a XXX cinema, their introductory rendezvous is sensuous and erotic, with an hint of risk. Ronaldo quickly introduces Wellington to the clandestine realm of the sex trade and selling drugs.

A Portrait of Empathy Instead of Exploitation

The director portrays Wellington’s new life of crime with gentle sympathy instead of as a melodramatic morality play. Now adopting the moniker Baby, he engages in his paid liaisons with swaggering confidence and endearing innocence. To his clients, Wellington offers more than his youth and his body, but also fleeting acts of kindness.

In the feverish excitement of São Paulo, filled with crowded backstreets and brightly painted facades, there’s a gnawing loneliness, as adrift individuals grasp at one another for temporary happiness.

"The streets might be filled with danger, yet they are also the space where they can find their own family, too."

A Complicated Relationship of Affection and Power

Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their relationship is derailed by envy and financial instability. Intimidation from nefarious characters in the underworld pale in comparison to the anxiety about state surveillance and imprisonment, symbolized by the hovering figures of police officers making their rounds.

Baby is especially potent as a keen observation of the forgotten souls who have slipped through the gaps the social system. The film stands as a poignant exploration into making ends meet, non-biological kinship, and the search for self within a harsh urban landscape.

Judy Jackson
Judy Jackson

Elin Västberg är en erfaren journalist med fokus på svensk politik och samhällsdebatt, med flera år i branschen.